if there is a driving motive at the heart of gavin russoms latest project, the crystal ark, it is to create music that communicates and compels physicality and movement. a listen to the projects first single, aptly named >the city never sleeps<, reveals a track as tireless as the title suggests, and russom as a visionary who crafts invocations to move. with his second release under the crystal ark moniker, russom is just as focused on eliciting movement, but deftly avoids repeating himself. unlike its hypnotic predecessor, which slow burned and subtly seduced listeners to physically respond, >the tangible presence of the miraculous< is explicit in its urgings û a composition of nakedly energetic and urgent inducements to dance.

engine music is delighted to present this next release from german wunder-trio, triad. comprised of henree with releases on soul:r and c.i.a under his belt, bastikal, headhoncho of the much respected phunkfiction label and l flow a classically trained musician and avid analogue synth collector. as triad they belong to the new breed of producers, reexamining the conventions and reinvigorating the experimentation in the dnb genre which has been lacking unitl late. two slices of mature, open minded dnb with spellbound on the a side. a subdued, bass heavy stepper with a naughty bassline switch up. fortune on the flip is a little half tempo number with dubbed out samples and a sultry bassline. or as we like to call it: a slow grinder. fans of the current autonomic sound should not sleep on this! dj support from goldie, teebee, calyx, lenzman and flight amongst others.

after the success of >slow burn< as well as the licensing of >dirt< to mr. ben klocks berghain mix compilation, echologist returns with another slice of psychedelic dub techno with remixes by frances techno king terence fixmer and arguably moscows finest producer, anton zap. the original mix is a slowly builds into a blaze of cavernous chord changes and a 4/4 groove powered by an unelenting sub bass. the distinctive sound of this track is what seperates echologist from all the other dub techno composers out there. terence fixmer takes the elements and transforms them into his signature techno workout that packs as much punch as it does finesse while anton zap strips things down and builds a super spacious hypnotic house groove that has become a trademark of his ethereal sound. all round another essential release from echologist.

australian producer philip mcgarva aka microworld is well known for his releases on transmat and styrax, both of which instantly became sought-after techno classics. dutch label adepth audio is proud to present microworlds new >time before techno< ep, with the title track another classic in the making.
microworlds signature is clearly evident throughout - the slow smooth build-up, with every new sound revealing extra dimensions within the music. definitely an after hours track that will go straight to your soul. the second track >ism< is a minimal but effective rhythm, a driving bassline, a catchy synthesizer and vocal sample that will stick in your head. canadian producer arthur oskan chose to remix >ism< and rebuild it into a pulsating 9 minute club track overflowing with warm synthesizers.

some fresh blood on ior from newcomer craig bratley who delivers a slow motion slab of electronic funk. remixes from burnt island casuals + 6th borough project.

the third and final installment of spectral sounds document 12inch series offers four choice cuts from our era-defining, ryan elliott-curated label comp. kassem mosses remix of lawrences >divided< is a fiendishly tight slow-burner, fitting its ricky-ticky hi-hats and sharp-edged snares together like cogs in a swiss watch. the german producer twists parts around, testing various permutations, and rewards his patient listeners with a dusting of synthesized bliss at the end. heiroglyphic beings rust-flecked >got no place to go< traffics in humid ambience and smoggy gestures, evoking a post-apocalyptic dawn, distant bird calls and all. on the flip, spectral newcomer gadi mizrahis masterful >she only looks at you< hints at krautrock and tech-house while a thoughtful organ hums in the background, and kate simkos buoyant >zhivago< plays ping-pong with a bucket of electronic toms while a crowd-revving synth swell makes itself useful at just the right moment.

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

echospace are proud to announce the third ep from the forthcoming cv313 album, >dimensional space<. this release marks the first remix from one of the uks most revered talents -- king midas sound (the bug) who manages to take the original in a direction one would never expect, creeping and trembling right at the very core of your very being. this is truly the midst of something beautiful, its haunting, infectious and has no restrictions to gravity, this is truly something to float in. next we have a heady subliminal interpretive from seattles, rafael anton irisarri as the sight below (ghostly) there is a reason why his sound has even turned the head of radiohead front man thom yorke and if i had to guess i would say its rafaels emotional range, he tugs right at the heart strings. this mix is as narcotic as you would expect, a slow motion dream where in every twist and turn a new detail unfolds, its like visiting an unexplored world -- subtle and hypnotic. on the b side (our first sound snippet) we have a more 4/4 number culled from deepchord presents: echospace (modern love) live set from this past year. this one has been tried and tested at countless shows and club floors around the world. its all about that syncopated bassline, a subterranean bottom and an atmosphere as deep as the ocean floor -- this is underwater space funk.

mini compilation 12 inch from dikso imprint including francis inferno orchestra, nicholas and no request.
side a: francis inferno orchestra – so drive - hailing from australia, griffin aka francis inferno orchestra provide us a beautiful fix with cool codes & keys. wait for a gorgeous vocal in!
side b1: nicholas – never - the man behind no more hits label supply us early 90s pad code atomosphere with slow funky beats.
side b2: no request – jonesin or you - beatdown style fat drum & bass, beautiful horns& strings with mighty vocal.

called the italian sucessor of early maw nicholas continues his edit journey on his no more hits label.
side a - 1 techy floating key, housey beats with, creates moody atmosphere though vocal chop is smoothly working.
- 2 simple but effective minimal house groove, repetitive key riff with female vocal.
side b - 1 funky synth bass goes nicely with dreamy soft keys & male vocal. it reflect the title >sunshine and rain< atmosphere ...
- 2 slow house with the tough kick sound, bougie bass, vibraphone with japanese female vocal work along >l.a. nights< chorus hook.

lunar disko records returns with its 6th release from promising irish producer, automatic tasty (at). at delivers five fantastic analogue trax with strong house, acid and electro influences, crafted with precision and aptitude somewhere beneath the wicklow mountains. the acid jam >i ve missed the last bus home< opens up the ep, ats trademark basslines, warm melodies and pads command this track, while >i can see your house from here< continues on with with more 707 percussion, mesmeric melodies, voice samples and a bassline unveiling another automatic tasty gem! >an cnoc rua< introduces us to a b-side with more acid, and electro soundscapes. a slow-burning acid track, including more fascinating melodies under the control of a mysterious eerie lead... >to the moon and back< warms you up again with more delightful melodies and captivating pads transported in true automatic tasty style. concluding this debut ep is the outstanding >autonomous system< the 606 & 101 combine to brilliant force before an arpeggiated bassline takes over alongside more lush synth melodies.

double 12 inch in gatefold cover with health remixes. comes with poster and free album download code plus 12 bonus remixes!

in a departure from blamma! blamma! s usually more frenetic sound, æbeyond 17 is a blissful slice of uplifting balearica and a fitting, joyful tribute to the multi-talented, versatile producer who created it. with it s slow build and dare-you-not-to-smile release it will no doubt be the soundtrack to many a sunset or end-of-night sing-a-long in the summer to come. cage & aviary get busy on the b-side with another subtle grower of a remix - atmospheric strings and muted guitars rise and fall over tough analogue bass.

quantecs sven schienhammer shows no sign of letting the quality levels drop with his latest releases on echocord and statik entertainment. his first release for phonobox records brings 4 tracks of deeper dub house and techno.>circles (re-edit)< contains the classic quantec elements, foggy atmosphere and slow-mo techno, reminiscent of the most smacked out echospace/deepchord releases. >ramified< revolve around maurizio-dipped basslines with spiraling dub chords.>force vive< and >swayings< are the closest youll come to a house rhythm.

desolat are proud to present davide squillace. the rain might be slow to depart in northern europe, but this spring release from prolific dj, producer and a stand-up friend of the desolat family davide squillace should help to transform any lingering clouds into smoke-like cirrus swirls. time to warm up for summer! >what about the vice< is an urgent, bouncy, hissing number to take the dancer deep.

escape from new york >singles collection< contains the groups full discography. the group comprising of british record producers john falleti, mike whitford, nigel swanston & tim cox (who also recorded as airstrip-one) penned these two gems in the early 80s at a time when italo disco & new wave were the flavour of the day. >fire in my heart< needs little introduction, an incredible slow-mo balearic masterpiece with rapturous vocals. now worth a pretty penny this originally was released on uk rollerball records in 1984.

>united by hardness<, supreme collaboration between the stunned guys & art of fighters, official 2010 anthem of the wellknown united hardcore forces party, is finally out now on a wonderful picture disc.
the sound of the track is powerful and effective, the middle break is built up on a slow tempo hardcore kick drum, which takes you into the massive floorfiller melody. the lyrics speak for themselves!
on the b side the aggressive and strong remix by meccano twins on their typical style, a smashing kick drum, earbleeding grooves and noisy sounds.

>angles< stretches guitar strings like taffy through a forest of finger snaps and slow-motion electro shudder, with a cycling chorus teasing out medieval melodies. >materials< is quicker of spirit, with a rippling pulse played out on muted jazz drums, shuttling between blocked piano chords and silvery oscillators and weaving an irresistible groove. its beautiful, unexpected and absorbing music-and theres nothing else out there that sounds like it.

fat beats, slow bpm, funky samples and a heavy bass are the new ingredients for jefferson velazquez latest deep release. on the b-side, fueled with high octane, legendary detroit producer rick aade delivers a dancefloor friendly signature piece with strings and pads that made him world famous. as for every terpsichores record: a must have.

put your seatbelts on! after hitting toys in slow motion, bot.ox puts it into gear and takes to the autobahn, with uptempo drums, mad synth lines and freaky naive melody at the next left turn. >overdrive< could have been a perfect horror movie soundtrack, something like the pop corn theme covered by d.a.f.

side a) zone feat. robert lee – soul desires. summery slow mo disco, soulful beatdown. raw bass driving feel good track brings sunshine at your doorstep.
side b) time has been now. ltj … the longstanding producer from irma goes funky beatdown stylee, hypnotic, dubby vocal, whispering … as minimal as detroit production thought it still has the edge of italian recipe!

3rd release of shanti records presents a debut ep of artist dmitry ustinov. known for his parties >idle conversation< in clubs and dj-sets (as yaponets) dmitry now comes with his own disco production under moniker taras 3000. two tracks - slow and shining >white clothes< (produced together with famous local rock-band bi-2) and bassy new-wave flavored galaxis are supplemented by perfect dancefloor-ready remix of galaxis by pete herbert (reverso 68 / eskimo, ubiquity, k2).

mikkel metal aka mikkel meldgaard is back on echocord with a new powerfull ep. after the latest succesfull full length album with tikiman here comes the next ep on >passenger ep< mikkel metal tries explores new facets of his sound and take a detour from the dub-technom, thats his usual trademark. while obviously still retaining a metal-signature, theres an opening towards a more raw dirty detroit sound here, thats clearly new to his production. opening track >further< is slow tough track with a heavy kickdrum and simple theme. in its austerity it might actually remind one of very early metal productions like >eight< from echocord 01. remaing tracks >no stars today< and >i dream< both build on a dirty simple groove and layers synths and distorted themes on top.

bison return with their second single, soup fiction, a slow dirty groove featuring liquid liquid front man sal p

following the stunning and bestselling debut from das volt has taken the lna boys a little longer than expected, but boy was it worth the wait ! having forged a keen army of converts to their late night audio club nights & establishing a reputation as one of london’s best underground parties, it was only a matter of time before they started their own label to release the music they & their party people love to dance to. expect the finest in deep electronic house, balearic boogie and italo flavours, all expertly mastered onto luxurious vinyl with slick graphic artwork. toby tobias really needs no introduction, his productions have graced some of the worlds finest underground labels, and his debut lp on matt radioslave edwards rekids won unanimous praise. macasu is a solid dancefloor piece, layers of slick percussion, plenty of low end girth and enough of tobys trademark dubbed-out and lysergic track trickery to usher in the summers al fresco dancing perfectly. the mighty danilo plessow, otherwise known as motor city drum ensemble is at the top of his game right now, selling crazy units on his raw cuts series & almost single-handedly converting an army of minimalistas into disco darlings ! in his own words made for breezy summernights, open air, near the beach, beautiful people around you, and the dj spinning slow sexy jams like this. enjoy! a killer release folks, which won’t be around for long !

big with: basic soul unit, ame, ingo sõnger, oliver hafenbauer, dixon, sevensol, dirk rumpf,roland appel,.. back from the initial mild pitch release >this feeling< last year, ribn deliver their overdue follow-up entitled >light black ep< - three tracks as ambivalent as the title suggests! the title track is a mesmerizing house/technohybrid of colourful darkness, reminiscent of classic early ribn releases: meandering synths and hypnotic sound fragments crawl around a stomping beat while the crunchy bass loop keeps moving things forward irresistably. first up on the flip side is >sin & figs<, a warm and pathetic summer gem that is destined to soundtrack any sunrise over the next couple of months. rich layer textures and sweet little melodies make this piece one of the most emotional moments of the mild pitch catalogue to date. closing the ep on b2 is >stonedrum<, a slow-motion house treat with oddly pitched vocals, a subtle groove and heavy low-end. its masked and fragile funkyness and crackling background noises complete a complex image that requires more attention than a 30-seconds preview clip to get a clue..

creepy-crawly 4/4 beats suffused in a murk of analog synthesizers & electric guitars

is it balearic continue to dominate in the laid back and gorgeous stakes, with the boys taking a slow moped to italia for the 11th release!

deeplabs is a new record label out of detroit created and managed by detroit producer and dj luke hess. after several highly successful releases on labels such as fxhe, echocord, beretta grey, & kontra-musik and celebrated remixes on ornaments, pong musiq, and modelisme, luke has decided to take his style of deep detroit techno and root it firmly in the city that inspires his sound. deeplabs is a label created for the deeper, soulful, and experimental side of electronic music, with a clear vision of the dj and the dance-floor.

this debut lp by innergaze is chock full of rugged hand played analog synths lines, primitive drum machines, haunting vocals, and psychic jewelry. call it synthwave, call it punk, call it metaphysical body music or at this juncture whatever one sees fit, but this duos music goes beyond naming names for the sake of it. from the freaky, unrelenting opener >no shame< to the chris & cosey-esque >la la la<, this record creates many aural worlds to inhabit and explore. the title track >we are strange loops< bubbles at a slow, hazy drug induced bpm, while >illusions<, with its distorted almost guitar-like synth lines and stripped down 808 programming, brings things right back to the dance floor. the ideas and feelings executed here are a direct outpouring of what happens when the machines are turned on, played and recorded.

>all i need< kicks off with female vocal chat on housey beats, in the middle you hear more of heavenly vocal – slow minimal filter house stylee. side b, >got to see her< presents party minimal disco style, marvin gaye-ish vocal line comes in middle with killer electric piano code. >hurt me< starts with killer funky bassline, groovy percussion & clap. theo parish esque flavour makes this track stands out when you play just before peak time on the dancefloor! simply winner.

the mole cooks up two slow burners for the warm northern nights. >nervous disid< emerges from somewhere between bobby konders and that old dance mania b-side you always want to play - but never have the nerve. thick fuzzy kicks, and jacked up toms - result in a heavy techno disco jam for the mixers and lovers.
>secret mummy< is a slo-mo romp into colins secret cookie factory, flavors are tough, fierce, and popping. 9 minutes of organico-inspired house music mixed with forgotten disco horns and old rusted cowbells.

loco & jam are northern irish based techno duo, lloyd reid and james peoples. now its time for their brand new ep on marco baileys mb elektronics label. >roundhouse< builds up slow with a nice deep bass but turns into a big room techno track before you know it! the second track is a splendid remix of >roundhouse< by ascion & d. carbone. what the funk! this track has such a nice groove and will fit in a variety of record-bags. on the b-side you will find the uplifting track >3d symphony<. this track will surprise you again and again: so many things are happening here. peak time slamming techno destroyer!

eine metropole, zwei tonkonstellationsquellen. derart erkl?rt sich, in verknapptester k?rze, das konzept der neuen reihe bei monika enterprise. den anfang macht eine ver®ffentlichung aus der heimatstadt des labels: berlin. zwei aufregend abenteuerliche projekte teilen sich einen tontr?ger, dies wird auch in zukunft so sein. und bereits die erste folge der serie verspricht gro?artige entdeckungsreleases.

limited to 200 copies, vinyl only!! abstract forms brings you another slice of fine quality electronic music. derrick may describes him as >a very accomplished musician<, and he is not wrong. . . please welcome the very talented louis haiman. the formless ep features 4 tracks of wonderfully thoughtful and sublime electronic music. from hypnotic detroit influenced techno to slow outer limit electronics, this ep oozes buckets of digital soul thats carefully designed to take you on a sonic journey, it will free your mind. featuring 2 new exclusive tracks and 2 tracks from the >life after people< lp that was previously only available as a digital download, this ep will no doubt please all the vinyl lovers amongst us..

supported by: joakim (tigersushi), shawn mac, xaver von tryer (supersoul rec.), cosmo vitelli, walter jones (dfa), in flagranti, lsb dance disorder, discodromo, space ranger, makossa & megablast, dj morpheus, drrtyhaze, riotus rockers, bottin,.. 2000 lightyears from home is a slow track, but the boys conjure up thick beats reminiscent of early electro and an acid bassline that flows down smoothly. the remix is by altair nouveau, who we recently heard with a great work on dfa/solardisco. he delivers a moroder influenced more dancefloor oriented version. on the b side, come back, a direct track with a sure effect on the dancefloor, house beat and super groovy bassline

wonderful release by kyle hall on his new detroit based label wild oats. masterpiece 4 track ep, each track divine and unique in its own way. hot jazzy kyle hall fashioned deephouse that can serve a lounge and at the same time bang even harder on a dancefloor. kyle halls experimentalist off beat antics meets smooth jazz would be a way to describe the sound. poly rhythms everywhere but at the same time a cohesive groovy soulful feel. overall this ep is a must buy for anyone who is for the future of the electronic music genre and enjoys quality.

three seductive remixes of hess is more. the slow burner of >yes boss< is remixed by the revenge, >ssshhhh!< is stripped down and given a tribal infusion from zombie disco squad, and pete herbert gives a retro techno wash to >yes boss<. the revenge, zombie disco squad and pete herbert remixes all on one 12 inch vinyl

the one-two kick drum beat that starts “in the dark of the night” functions as a bit of a tease. instead of merely establishing the languid pace of the track, it has the power of suggestion, and its stark nakedness raises the question of what will happen after the music fully launches. a few seconds later, a punch-drunk, flanging keyboard is the first clue that the listener is in for an off-kilter ride, the sauntering bassline that next appears adds a springy, funk bounce. but it’s the tripped-out, multi-tracked vocals of fernando miranda rios, aka michoacan, the producer behind this slow reveal, that give the song its peculiar, space-yvibe. it’s like david byrne with funk aspirations and a vaguely cosmic feel. the b-side remix, courtesy of italy’s clap rules, feels like more of a re-build. the song has been taken apart and put back together with brand new parts. instead of more relaxed, dazed funk at the core, it’s a glittery, disco-ball splattered track with glossy keys all around.

second release on sleazy beats recordings crafted by an unknown italian slow-disco wizard aka the beatdown soundmachine. comes with two ltj mixes. limited 12 inch!

ferrispark records has always been known for its devotion to unique and soulful releases heavily influenced by the deep sounds of detroit and chicago. carrying on in the same manner is scott fergusons, disco and deep house infused, >midwest born & bred ep<. the first mix of >keep on lovin me< mixes dirty detroit rawness with chi-town acid to get dance-floors stirring while the second mix is more reminiscent of mid-90s nyc and chicago house. in the late hours of the night, flip the record over for the seriously grooving, slow, deep, and druggy, >staggerin & stumblin<.

mathematics label presents a new series based on a slower, seductive side of house music. three slow dance compositions and electronic love songs in recall tomita, art of noise, paul hardcastle, and franck roger. tracks by mayo souloman, the exaltics and florin buchel. intriguing and unique.

more ruff jamz from the 6th borough project bunker kicking off with the supa-dupa-slo-mo-soul cut, >slow down baby<, with chopped up strings and heroin-house bassline all present. the flip brings us >closer< to the edit and pitches us nearer the holy grail of tempos. >stratus quo< gives us tracky rhodes action on the intro and sends us a message in the music. number five is alive.

english duo behling & simpsons debut ep on pespectiv! hypnotic seductive and slow building house tracks with a warm groove. modern house tracks with strong references. october delivers a exciting remix version that shows he is not afraid to go outside the know path. somehow reminding of invisible circles by margaret dygas. anyway... another effective and tasteful house release on rippertons own persepctive label. check!

after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

second part, incl jay haze rmx! after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

a little house in the deep blue sea: a perfect title for a tune, this track kicks off with a subtle, tribal groove, claps and deep chords then take the listener into the deepness. hypnotic, sweet and elegant music for the late night movers on the dancefloor. b1. thank you for listening: new york meets frankfurt on main with this tasty tech-house tune. a pounding bass drum combined with japanese vocal snippets, spooky strings and mills like percussion drive this tune on and into the peak time dancefloors. a must play for all lovers of the new school house movement. b2. for the moment: a slow mo tribal electro tune perfect for the morning after the night before. a tune made for all space night lovers and dreamers.

the three new songs from young prodigies martinez brothers featured here, >broke in the bx<, >wont somebody<, and the title-track, all come complete with the brothers trademarks—classic drum sounds, slow-burning intensity, and soulful melodies in their synth work.

circus company is proud to celebrate its first collaboration with one of the most emblematic and talented actors of the jena scene. for sure you know robag wruhme for is past work on his own imprint musik krause and on freude-am-tanzen alongside monkey mafia as the wighnomy brothers dj duet. this artist always stand out musically. from his past releases till today and across his remixes you cant miss his unique personality in music. this four tracker provides a colorful musical palette of mr wruhme. from the dark and minimal side of blech beulé to the «herbertish» robadella and the magnificent melodical slow mood of 48° 52&#8242,,,,,,,,,,,, n, 2° 21&#8242,,,,,,,,,,,, (in between, thats the location for paris on the map in case you loose yourself…) while he was delivering the tracks robag also requested a remix from ark, another strong character of the paris. ark did a a brilliant work on this blech beulé remix which gives a nice „avant goût“ of his upcoming album on perlon which will be out in april.